{"id":4984,"date":"2023-03-02T11:37:10","date_gmt":"2023-03-02T10:37:10","guid":{"rendered":"https:\/\/www.corradobonomi.it\/?p=4984"},"modified":"2023-03-06T09:16:56","modified_gmt":"2023-03-06T08:16:56","slug":"corrado-bonomi-per-re-inventing-piet-a-wolfsburg","status":"publish","type":"post","link":"https:\/\/www.corradobonomi.it\/en\/corrado-bonomi-per-re-inventing-piet-a-wolfsburg\/","title":{"rendered":"Corrado Bonomi for Re-Inventing Piet at Wolfsburg"},"content":{"rendered":"\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"292\" src=\"https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/image003.jpg\" alt=\"\" class=\"wp-image-4976\" srcset=\"https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/image003.jpg 1000w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/image003-300x88.jpg 300w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/image003-768x224.jpg 768w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/image003-260x76.jpg 260w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/image003-50x15.jpg 50w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/image003-150x44.jpg 150w\" sizes=\"auto, (max-width:767px) 480px, (max-width:1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\"><em>After Bonomi&#8217;s return to the German scene with <\/em>Tutto bene! <em>The group show hosted at the Ritter Museum in Waldenbuch, here he is again in Wolfsburg at the Kunstmuseum<\/em><\/p>\n\n\n\n<p><br>The<em> Impossible Gift <\/em>by Corrado Bonomi continues in its wake of success in Germany, as proof of the communicative power of this work, selected by <strong>Andreas Beitin<\/strong> and <strong>Elena Engelbrechter<\/strong>, curators of the exhibition.<br><br>The strength of this bonomian interpretation of the Dutch artist&#8217;s famous geometric works was perfectly described by <strong>Marli Hoppe-Ritter<\/strong> in a recent statement, that you can read <a href=\"https:\/\/www.corradobonomi.it\/en\/critical-texts\/\">here<\/a>.<br><\/p>\n\n\n\n<p>Dresses, hairspray, watches, T-shirts, bags \u2014 who doesn\u2019t know them, the catchy and immediately recognizable designs of everyday objects based uninhibitedly and bluntly on the ingenious compositions of one of the most important artists of the twentieth century: <strong>Piet Mondrian<\/strong>. Like hardly any other, he succeeded within a few years in developing his art away from figurative painting towards a trend-setting \u201cabstract\u201d style, which he described in his extensive art theoretical writings as <strong>New Design <\/strong>or <strong>Neoplasticism<\/strong>. In this way, Mondrian made a significant step in the development of the history of modernist painting; for with his art, he succeeded in progressing \u201cfrom image to imagery\u201d as unequivocally as seldom before. The ostensibly simple compositions of initially black lines, colored squares and rectangles on white, light blue, or gray backgrounds no less than revolutionized the art world and forever changed the view of pictorial reality.<br><br><\/p>\n\n\n\n<p>No other artist in the twentieth and twenty-first century has been quoted, copied, varied, and appropriated as often and in as many ways as Piet Mondrian\u2014by fashion, advertising, architecture, design, and above all by art itself. To this day, countless artists continue to be preoccupied with Mondrian\u2019s neoplastic magnum opus, so that the thesis may be proposed that he is the most frequently and diversely quoted artist of the twentieth century. In the year following his <strong>150th birthday<\/strong>\u2014postponed by several months due to the Corona pandemic\u2014, the exhibition <em>Re-Inventing Piet. Mondrian and the Consequences<\/em>, which takes key works by Mondrian as its starting point, provides for the first time on this scale insight into the cosmos of the manifold new creations, adaptations, (critical) discussions, and further developments of his groundbreaking artistic compositions: from works of art by his contemporaries via the famous Mondrian dresses by Yves Saint Laurent, objects of applied art, design, and everyday culture to numerous works and installations by contemporary artists<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>The exhibition <em>Re-Inventing Piet. Mondrian and the Consequences<\/em> is accompanied by a comprehensive and generously illustrated publication (edited by <strong>Andreas Beitin<\/strong> and <strong>Ren\u00e9 Zechlin<\/strong>), published by Verlag der Buchhandlung Walther K\u00f6nig.<\/p>\n\n\n\n<p><br><strong>Participants artists<\/strong>:<br>Bas Jan Ader, Claudia Angelmaier, Iv\u00e1n Argote, Amber Ambrose Aur\u00e8le, John Baldessari, Michael Barnaart van Bergen, Georg Baselitz, Chris Beekman, Anna &amp; Bernhard Blume, John Bodin, <strong>Corrado Bonomi<\/strong>, Shin Bongchull, KP Brehmer, Mark Brusse, Hal Busse, Philippe Calia, Miguel-\u00c1ngel C\u00e1rdenas, Lygia Clark, Corneille, Lajos d&#8217;Ebneth, Theo van Doesburg, C\u00e9sar Domela, Jacob van Domselaer, Tim Eitel, Ndidi Emefiele, Ernest T., Err\u00f3, Sylvie Fleury, Simon Freund, Ryan Gander, General Idea, Isa Genzken, Fritz Glarner, Melissa Gordon, Torben Giehler, Jean Gorin, Camille Graeser, Joachim Grommek, Dieter Hacker, Ian Hamilton Finlay, Mary Heilmann, Gregor Hildebrandt, Alfred Hrdlicka, Vilmos Husz\u00e1r, Remy Jungerman, Barbara Kasten, Hiroshi Kawano, Tadashi Kawamata, Anselm Kiefer, Martin Kippenberger, Jakob Lena Knebl, Krijn de Koning, Joseph Kosuth, Lee Krasner, Germaine Kruip, Louise Lawler, Saul Leiter, Bart van der Leck, Sherrie Levine, Erik van Lieshout, Liu Ye, Cristina Lucas, Hermann Meier, Mathieu Mercier, Jonathan Monk, Thomas Moor, Fran\u00e7ois Morellet, Sarah Morris, Marlow Moss, Robert Motherwell, Simon Mullan, H\u00e9lio Oiticica, Dennis Oppenheim, Eduardo Paolozzi, Claudio Parmiggiani, A. R. Penck, Gerrit Rietveld, Peter Rozemeijer, Tom Sachs, Yves Saint Laurent, J\u00f6rg Sasse, Kurt Schwitters, Kathryn Sowinski, Daniel Spoerri, Magnus von Stetten, W\u0142adys\u0142aw Strzemi\u0144ski, Grzegorz Sztwiertnia, Sophie Taeuber-Arp, Gerold Tagwerker, Volker Tannert, Timm Ulrichs, Boles\u0142aw Utkins, Lois Weinberger, Ben Willikens, Sebastian Winkler, Piet Zwart<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p><strong>From 11 March to 16 July 2023<br><a href=\"https:\/\/www.kunstmuseum.de\/en\/\">Kunstmuseum Wolfsburg<\/a><\/strong>, Hollerplatz 1, Wolfsburg<br>Tuesday &#8211; Sunday: 11.00 &#8211; 18.00<br>Monday closed<\/p>\n\n\n\n<p>For information: <a href=\"https:\/\/www.kunstmuseum.de\/en\/exhibition\/re-inventing-piet-mondrian-and-the-consequences\/\" target=\"_blank\" rel=\"noreferrer noopener\">Re-Inventing Piet.Mondrian and the Consequences<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-left\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>After Bonomi&#8217;s return to the German scene with Tutto bene! The group show hosted at the Ritter Museum in Waldenbuch, here he is again in Wolfsburg<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":6,"featured_media":4977,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40,41],"tags":[92,114,115,116],"class_list":["post-4984","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mostre-en","category-news-en","tag-corradobonomi-en","tag-germania-en","tag-mondrian-en","tag-wolfsburg-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Corrado Bonomi for Re-Inventing Piet at Wolfsburg<\/title>\n<meta name=\"description\" content=\"From 11 March to 16 July, the Wolfsburg Kunstmuseum will host the collective exhibition dedicated to Piet Mondrian, including Corrado Bonomi among the exhibitors.\" \/>\n<meta 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