{"id":5009,"date":"2023-03-06T16:41:46","date_gmt":"2023-03-06T15:41:46","guid":{"rendered":"https:\/\/www.corradobonomi.it\/a-proposito-del-mondrian-rovesciato\/"},"modified":"2023-03-07T15:00:20","modified_gmt":"2023-03-07T14:00:20","slug":"a-proposito-del-mondrian-rovesciato","status":"publish","type":"post","link":"https:\/\/www.corradobonomi.it\/en\/a-proposito-del-mondrian-rovesciato\/","title":{"rendered":"About the &#8220;upside down&#8221; Mondrian"},"content":{"rendered":"\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"342\" src=\"https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/Bonomi-Cosi-e-se-vi-pare-2023-cut-1024x342.png\" alt=\"\" class=\"wp-image-5005\" srcset=\"https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/Bonomi-Cosi-e-se-vi-pare-2023-cut-1024x342.png 1024w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/Bonomi-Cosi-e-se-vi-pare-2023-cut-300x100.png 300w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/Bonomi-Cosi-e-se-vi-pare-2023-cut-768x256.png 768w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/Bonomi-Cosi-e-se-vi-pare-2023-cut-1536x512.png 1536w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/Bonomi-Cosi-e-se-vi-pare-2023-cut-260x87.png 260w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/Bonomi-Cosi-e-se-vi-pare-2023-cut-50x17.png 50w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/Bonomi-Cosi-e-se-vi-pare-2023-cut-150x50.png 150w, https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/Bonomi-Cosi-e-se-vi-pare-2023-cut.png 1919w\" sizes=\"auto, (max-width:767px) 480px, (max-width:1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\"><em>Last October (2022) the art world was hit by a curious news that caused a lot of talk: after 77 years the curator <strong>Susanne Meyer-B\u00fcser<\/strong> noticed that the work of the Dutch artist Piet Mondrian <\/em>New York City I <em>has been hung upside down<\/em><\/h3>\n\n\n\n<p><br>The painting in question, <strong><em>New York City I<\/em><\/strong>, was first exhibited at the MoMA in New York in 1945 and then transferred to Germany in 1980 at the Kunstsammlung Nordrhein-Westfalen K20 in D\u00fcsseldorf, a museum which hosted the retrospective <em>Mondrian. Evolution<\/em>.<\/p>\n\n\n\n<p>During the research carried out by the curator to plan the exhibition, a photograph emerged, taken in the artist&#8217;s studio shortly after his disappearance, in this image the work appears resting on an easel in an &#8220;upside down&#8221; position compared to how it has always been placed on show. To corroborate the thesis, adds the curator, there is the interpretation of the composition of the lines: there is a greater concentration of colored ribbons in the lower part of the canvas which, if observed above-below, should instead represent a \u00abdark sky\u00bb .<\/p>\n\n\n\n<p><strong>Corrado Bonomi&#8217;s interpretation of the question was not long in coming<\/strong>: contemporary art, for better or for worse, often confronts us with questions such as \u00abWhat is it?\u00bb &#8220;What does it represent?&#8221; &#8220;Why?&#8221;. Piet Mondrian in canvases like this has brought <strong>Neoplasticism <\/strong>to its maximum expression, using only simple colored lines to represent the American city. But the strength of this language is also the freedom it offers to the observer: instead of getting stuck in social constructs that push us to look for recognizable shapes, colors or compositions, we are free to wander with the imagination and, therefore, Bonomi says:<\/p>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\">\u00abWho cares about right or wrong side arguments, do as you please\u00bb.<\/h4>\n\n\n\n<p><\/p>\n\n\n\n<p>And it is from this reflection that the work <strong><em>Cos\u00ec \u00e8 se vi pare &#8211; Also ist es wie du wilst<\/em><\/strong> was born, a very faithful reproduction in scale and colors of the chatty work by Mondrian with a particular addition: the work rotates on itself, putting thus ending the discussion on what could be the right direction for its posting.<br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Watch the video-performance of the work:<\/h3>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls src=\"https:\/\/www.corradobonomi.it\/wp-content\/uploads\/2023\/03\/mondrian_comp.mp4\"><\/video><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-left\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last October (2022) the art world was hit by a curious news that caused a lot of talk: after 77 years the curator Susanne Meyer-B\u00fcser noticed<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":6,"featured_media":5006,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40,41],"tags":[92,114,119,115,120],"class_list":["post-5009","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mostre-en","category-news-en","tag-corradobonomi-en","tag-germania-en","tag-moma-en","tag-mondrian-en","tag-newyork-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Corrado Bonomi and the &quot;upside down&quot; 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